As if you couldn’t already tell, I was a big fan of the Dr. Demento (AKA Barry Hansen) show that was broadcast out of Los Angeles and syndicated elsewhere in the 1970s and ’80s.
One of the artists the good Doctor “discovered” (along with Weird Al obviously) was someone known only as “Damaskas” to his fans (real name Tim P. Ryan.)
In 1977, his song “Making Love In A Subaru” was apparently requested quite a lot, as I remember it well. It’s decently funny, and the heavy influence of Tom Lehrer is readily apparent.
The other side of the single features a collaboration with Barnes and Barnes (of “(Roly Poly) Fish Heads” fame) dueting on a sort of mash-up of the Beatles with the Green Acres theme song. Similar to the “Stairway to Gilligan’s Island” thing from Little Roger and the Goosebumps, which it predates by about a year. No trace of this single anywhere online (not an mp3 anyway) so here you go. The record was probably the only one released on Asinine Records.
James Archer (from his friend Ralph Carney) hipped me to this on Facebook. Don’t read the description until you watch the video! Elements of Bonzo Dog Doo-Dah Band here as well, although I’m sure these Czech guys never heard of them.
Jožin z bažin (originally 1978) is a song by Czech musician and comedian Ivan Mládek, and is one of his best known songs. He even called it the “National Anthem” of his Countryshows. In January 2008, the song became popular in Poland and Hungary, winning several radio hitlists. It is also popular in Austria and Russia, sporting a cult following in blogs and several versions of translations. The song is a surreal tale of a mysterious man-eating (especially those coming from Prague) monster (Jožin z bažin, Joe from the swamps) living in the swamps. He could be defeated only with the use of a cropduster. A Polish cabaret called Kabaret pod Wyrwigroszem (‘Cabaret under a torn out grosz’) created a parody of “Jožin z bažin,” entitled “Donald marzy” (‘Donald dreams’), about the Polish prime minister, Donald Tusk. The Ivan Mládek Banjo Band has created Polish version of “Jožin z bažin.”
My favorite comment from youtube: “When I was a kid I wondered what life was like on the other side of the Iron Curtain. Now I know.”
Still trying to figure out how to activate my FTP again to post more audio, but here is a link to a 1959 appearance by singer Linda Laurie on To Tell The Truth. Laurie recorded some very strange music, including my personal favorites “Ambrose Pt. 5” and “Jose, He Say,” both of which I own on vinyl 45s. Check out her scary “Ambrose” voice at 6:10! Kind of makes you wonder about “possessed” voices, doesn’t it?
Fun Fact: Laurie shared writing credit with amazing exotica composer/ bandleader JimmieHaskell for the theme song to Land of the Lost!
In the mid 1980s, I read an article in an amazing book entitled The Catalog of Cool. Amongst the entries on beatniks and 1950s cars was an article, “Wrestling From Peru!” which described a program that was aired in Los Angeles on a Hispanic UHF TV station in the 1970s. It sounded like the Mexican lucha libre stuff, but ratcheted up to 11 or 12.
Years later my friend Rod, who grew up in Chile, told me that he and his brothers had gone crazy over this program when he was a kid. Turns out it originated from Argentina, and it was called Titanes En El Ring. He remembered the costumes and characters, such as “El Astronauta,” “Mercenario Joe,” “El Hippie Hair” and the most feared wrestler of all, “La Momia.”
La Momia (the Mummy) was so frightening that many of his opponents would faint or run away rather than face his occult powers. Even the announcers screamed “Oh no! La Momia!!” as he made his deathly entrance. One episode featured not one, but TWO opponents who left the ring and tore through the TV studio meeting with a succession of locked doors in an attempt to escape La Momia’s wrath. They finally entered one room and supposed safety only to have the crap beaten out of them by a horde of partying hippies led by another wrestler called “Hippie Joe.”
Each wrestler had his own theme song, which played over his march from the backstage area to the ring. This of course led to a series of record albums, one of which I found on ebay a few years ago.
The first series of Titanes En El Ring ran from 1962 to 1967. Producer Martín Karadagián also starred as one of the wrestlers. In a later incarnation of the program, he even went up against La dreaded Momia:
Some of the kids in that clip look like they’re going to pee their pants.
A list of the wrestlers (in Spanish) can be found at the Titanes En El Ring website. My current favorite is “El Hacker,” with a photo of some skinny guy in a baseball cap carrying an ancient laptop. What did he do? Hack into the studio server to make himself champion? I doubt he even made it into the ring.
The sculpture consisted of three crystal bowls mounted on a column of crystal balls and orbs. The fountain was meant as the centerpiece for a vast, glass-enclosed public space. Water flowed from the top of the glass sculpture and cascaded through the three bowls onto a concrete floor, where it was drained and recycled back through the system. It was ethereal and the sounds produced by the falling water was pretty psychedelic in itself.
But that wasn’t the main attraction of the fountain. The water running through its innards was spiked with D-Lysergic Acid Diethyamide. Perhaps the only reason that it was allowed to be in the show was that the LSD was “potentized,” a strange term that means the Acid was diluted to homeopathic levels. Whoever coined this antonym-like term should have his or her head examined, unless there is some kind of experimental proof that undetectable levels of LSD in water has some sort of effect on humans that is stronger than the normal dose.
This did not diminish the message of the artwork, though.
The museum shop was selling a vinyl record of a recording of the fountain in action. My girlfriend (now wife) begged me to buy it and split the $50.00 price tag with me.
At last I have a justification for paying all that money for a record that only has audio on one side: So that you can hear it for free!